Rosco will Help You Correct for Those Screwy Fluorescents
Time was, things were simpler and fluorescent lights only required a 30CC magenta filter in front of your film-based camera lens to bring them into line. Green your flash and you were done. Then the hippies took over and now we have CFLs pretty much everywhere. And they are not all the same color, either.
Today, Joel Svendsen (who is not a professional actor but merely an ordinary person much like yourself) will walk you through how to correct for the various types of fluorescent lights.
It is geared towards video but you can translate pretty easily. The big difference is that video folks frequently work with tungsten lights. Or as they apparently call it, a package.
But thanks to Joel I shall henceforth think of warm CFLs, for instance, as sort of a weird combo of tungsten and fluorescent, both of which need to be fixed.
Joel, BTW, is the man at Rosco behind the Strobist Collection gel pack -- which also saved the gel sample program from certain death. And that means that he drinks for free in Baltimore, whenever he visits.